South Africa Won’t Do Venice Biennale After Goliath Cancelation

After canceling a planned pavilion by Gabrielle Goliath that would have featured references to Israel’s war in Gaza, South Africa will not take part at all in this year’s Venice Biennale, opening in May.

It is the latest turn in a controversy that began in January, when Goliath revealed that South African culture minister Gayton McKenzie had pulled the plug on her pavilion. McKenzie claimed that a foreign country had interfered with the pavilion while it was being conceived.

Goliath said the true reason for the cancelation was her work’s references to Palestinians killed by Israeli forces. In messages to Goliath, McKenzie had seemed to denounce the performance Goliath had conceived as well, claiming that it contained “highly divisive” content.

Related Articles

Portrait of Yuko Mohri leaning on a stepladder next to an installation composed of a water pail, plastic bags, and piece of wood furniture.

She went on to allege censorship and even took the case to court in South Africa, saying that McKenzie had infringed upon her and curator Ingrid Masondo’s rights to freedom of expression. This week, her case was tossed out. The judge presiding over the decision did not provide a reasoning.

“We believe this ruling sets a dangerous precedent, jeopardising the rights of artists, curators and creatives in South Africa to freedom of expression—freedom to dissent,” Goliath and Masondo said in a statement. “It goes without saying that we will be contesting this ruling through an appeal.”

According to the Art Newspaper, which first reported confirmation of South Africa’s plans not to participate, the country’s space in the Arsenale, one of the Biennale’s main venues, will be empty altogether.

Leave a Reply

Your email address will not be published. Required fields are marked *

Sign Up for Our Newsletters

Get notified of the latest news from Coconut.

You May Also Like
In ‘The Party is Over,’ Murmure Confronts the Absurd Spectacle of the End Times — Colossal

In ‘The Party is Over,’ Murmure Confronts the Absurd Spectacle of the End Times — Colossal

In a world this absurd and disastrous, do we gravitate toward cynicism…
An Animated Guide to Using Art to Get in Touch with Your Emotions — Colossal

An Animated Guide to Using Art to Get in Touch with Your Emotions — Colossal

Say you visit a highly anticipated exhibition one Saturday afternoon and find…
Glimpse Spectacularly Tiny Worlds in Winning Videos from Nikon’s Small World In Motion Competition — Colossal

Glimpse Spectacularly Tiny Worlds in Winning Videos from Nikon’s Small World In Motion Competition — Colossal

From a remarkable demonstration of flower self-pollination to algae swimming in a…
How to market yourself without feeling gross

How to market yourself without feeling gross

Ah, self-promotion. That horrible mix of nerves, awkwardness and mild nausea that…