Digitally Rebuilding the Lighthouse of Alexandria

One of the seven wonders of the ancient world, according to traditional lists, the Lighthouse of Alexandria once loomed over the Mediterranean city’s harbor during Egypt’s Hellenistic age. At 460 feet tall, it was second only to the Great Pyramid of Gaza in height.

The lighthouse, also known as the Pharos of Alexandria, was commissioned by Ptolemy I Soter (c. 367–283 B.C.), a Macedonian Greek general under Alexander the Great who became pharaoh of Egypt; it was seen to completion by his son and successor, Ptolemy II Philadelphus. During the Ptolomaic dynasty, which lasted 300 years, Alexandria was a center of Greek culture in Egypt.

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Located on the island of Pharos off the coast of Alexandria, the lighthouse was constructed of limestone and was rectangular at the bottom, octagonal in the middle, and cylindrical at the top. It used mirrors and a furnace to guide ships to the city’s harbor.

The building, already weakened by previous tremblors, was destroyed by the 1303 earthquake, most of its remains disappearing under rising seas. Now, however, as reported in the New York Times, a group of historians, architects, and programmers are working to create a digital 3-D model of the ancient structure.

“The architectural fragments lie scattered over 18 acres underwater,” Isabelle Hairy, an archaeologist at the National Center for Scientific Research in France and the Center for Alexandrian Studies in Egypt and leader of the Pharos Project team, told the Times.

Last summer, the Pharos Project team used a crane to bring granite blocks and other relics to the surface so they could be scanned and digitally positioned in the 3-D model. One major discovery was a pylon combining Greek building skills with Egyptian stylistic elements.

So far, the project has made seabed scans of some 5000 building elements and artifacts on the sea floor; worsening water conditions, however, make it likely that further scans will rely on lifting submerged material from the water before returning to the sea for preservation. “The visibility is extremely bad,” she told the Times, “the seabed is uneven and there are no clear layers of sediment.” Because of this, she estimates it will take generations to complete the project.

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