Ruth Asawa Arrives in New York with a Monumental Retrospective — Colossal

One of the most iconic figures of the mid-20th century, trailblazing Japanese-American artist Ruth Asawa led a prolific life of art-making, advocacy, and civic engagement. Over a decade after her passing, the last year has ushered in a momentous wave of exhibitions for Asawa—appearing at David Zwirner in her first solo exhibition in Greater China, followed by two major showings of Ruth Asawa: A Retrospective.

In a tale of two MoMAs, the enormous exhibition recently traveled from its point of origin in San Francisco, where the artist fostered a deep, lifelong connection to the city. Its arrival in New York City now marks the largest show dedicated to a woman artist in the museum’s history.

a portrait of Ruth Asawa at the San Francisco museum of art in 1973
Photograph by Laurence Cuneo. © 2025 Ruth Asawa Lanier, Inc., courtesy of David Zwirner

Featuring more than 300 of Asawa’s artworks spread across a whopping 16,000 square feet, the expansive collection documents the artist’s six-decade-long career. You can expect to get a close look at her groundbreaking wire sculptures, intimate paintings, drawings, and prints, as well as bronze casts and monumental public works.

Ruth Asawa: A Retrospective opens at the Museum of Modern Art on October 19, where it will be on view until February 7, 2026. Explore more from Asawa on Colossal, and delve further into her practice through her estate’s website.

installation view of 'Ruth Asawa: A Retrospective' at the Museum of Modern Art
Installation view of ‘Ruth Asawa: A Retrospective.’ Photo by Jonathan Dorado, © 2025 The Museum of Modern Art, New York
a lithograph by Ruth Asawa of a reddish pink peony against a background of dark blue
“Poppy” (1965), lithograph, 30 1∕16 × 20 9∕16 inches, edition of 20. Image © 2025 Ruth Asawa Lanier, Inc., courtesy of David Zwirner
a long, hanging wiry bulbous sculpture by Ruth Asawa
“Untitled (S.398, Hanging Eight-Lobed, Four-Part, Discontinuous Surface Form within a Form with Spheres in the Seventh and Eighth Lobes)” (1955), brass wire, iron wire, and galvanized iron wire, 8 feet 8 1/2 inches × 14 1/2 × 14 1/2 inches. Image © 2025 Ruth Asawa Lanier, Inc., courtesy of David Zwirner
a densely stamped work from Ruth Asawa creating texture on paper, made from the letters B, M, and C.
“Untitled (BMC.145, BMC Laundry Stamp)” (1948–49), stamped ink on fabric sheeting, 36 3/4 × 45 1/2 inches. Image © 2025 Ruth Asawa Lanier, Inc., courtesy of David Zwirner
installation view of 'Ruth Asawa: A Retrospective' at the Museum of Modern Art
Installation view of ‘Ruth Asawa: A Retrospective.’ Photo by Jonathan Dorado, © 2025 The Museum of Modern Art, New York
installation view of 'Ruth Asawa: A Retrospective' at the Museum of Modern Art
Installation view of ‘Ruth Asawa: A Retrospective.’ Photo by Jonathan Dorado, © 2025 The Museum of Modern Art, New York
installation view of 'Ruth Asawa: A Retrospective' at the Museum of Modern Art
Installation view of ‘Ruth Asawa: A Retrospective.’ Photo by Jonathan Dorado, © 2025 The Museum of Modern Art, New York
installation view of 'Ruth Asawa: A Retrospective' at the Museum of Modern Art
Installation view of ‘Ruth Asawa: A Retrospective.’ Photo by Jonathan Dorado, © 2025 The Museum of Modern Art, New York
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