In 2022, twenty-one-year-old Tanya choked back tears as she held her boyfriend’s hand for what could be the last time. Crouching down to reach her, the military fatigue-clad Volodimir stands on a train headed for the city of Kramatorsk in the Donbas region of eastern Ukraine. He’s on his way to the battlefield to fight Russia’s invasion.
Taken by Ilvy Nijokiktijen, the photo capturing this heartwrenching moment is one of nearly 200 included in a book and large-scale exhibition at Fenix, a new art museum in Rotterdam that focuses entirely on migration. The Family of Migrants takes a broad look at human movement from 1905 to the present day, citing a wide array of reasons someone might relocate from war and economic crises to exile and internment to a search for opportunities abroad.
Spanning documentary, portraits, and photojournalism, the included images emerge from 136 photographers in 55 countries across 120 years. Providing such an expansive perspective of movement connects myriad experiences—from a Ukrainian soldier off to war to a young Afghan refugee to a poverty-stricken mother and her children—and is an attempt to broaden how we think of migration.
“In every era, there has been movement of people, be it out of free will, out of necessity, or under pressure. Migration shapes the world, separating and connecting people, but when we talk about migration, the focus all too quickly shifts to figures or politics,” curator Hanneke Mantel says.
The title references the 1955 Museum of Modern Art exhibition, The Family of Man. Curated by Edward Steichen, the bold exhibition included hundreds of photos that presented a narrative of global solidarity after World War II. Steichan wanted to depict “the gamut of life from birth to death,” a task Mantel seems to take on at Fenix by sharing a fuller story of migration today.
The Family of Migrants, published by Hannibal Books, includes photos by icons like Dorothea Lange and Ernest Cole, along with those working today like Alejandro Cegarra. Find your copy on Bookshop.
